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Fashionable Fidos September 10, 2023

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 I try not to anticipate an exhibit before I go but truth be told…this latest exhibit at the AKC Museum of the Dog was not what I expected. I thought Fashionable Dogs was going to be doggies in outfits – but that was not what it turned out to be. Still enjoyable, but I spruce up this week’s photo montage with some fashionable doggies that have lived at my house. No, my gang were never breeds but they were ‘best in show’ to me. This exhibit highlighted specific breeds that have gone in and out of fashion as the ultimate accessory from nobility to the runway. Through paintings, fashion photography, and accessories this exhibition chronicles the rise and fall of dogs in fashion. Fashionable Dogs tracks the arc of popularity of several breeds through recent history, diving deep into such breeds as the Borzoi, Greyhound, Poodle, Pekingese, Japanese Chin, French Bulldog, and Great Dane. Woof!

As ye sew, so shall ye rip September 3, 2023

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 I adore the American Folk Art Museum and never miss a show. I saw this quilt exhibit last April and encourage you to visit. It is on through October 29th. ‘What That Quilt Knows About Me  explores the deeply personal and emotional power associated with the experience of making and living with quilts’. Spanning from the 19th through 21st centuries, the works on view reveal a range of poignant and sometimes unexpected biographies. From a pair of enslaved sisters in antebellum Kentucky to a convalescent British soldier during the Crimean War, the exhibition explores stories associated with both the makers and recipients of the works.  

Let There Be Light August 27, 2023

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The New York Historical Society is one of my top five places to visit. The permanent exhibit of Tiffany lamps is something to behold. I hadn’t visited this exhibit in quite awhile and thought it was time to go back. ‘As the centerpiece of the 4th floor, the Gallery of Tiffany Lamps features 100 illuminated Tiffany lamps from our spectacular collection, displayed within a dramatically lit jewel-like space. It is regarded as one of the world’s largest and most encyclopedic collections. The hidden history behind the lamps offers a fascinating look at the contributions of women in the creation of this art. Louis C. Tiffany (1848–1933) was the artistic genius behind Tiffany Studios. However, he was not the exclusive designer of its lamps, windows, and luxury objects: Clara Driscoll (1861–1944), head of the Women’s Glass Cutting Department from 1892 to 1909, has recently been revealed as the designer of many of the firm’s leaded glass shades. Driscoll and her staff, self-styled the “Tiffany Girls,” labored in anonymity but were well compensated. Driscoll’s weekly salary of $35 was on par  with that of Tiffany’s male designers, a reflection of his regard for her abilities. The lamps in this exhibition reflect the prodigious talent of designers and artisans who worked in anonymity to fulfill Tiffany’s aesthetic vision’.

You are what you eat August 20, 2023

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This ‘delicious’ show, which was at The Grolier Cub and was fascinating. It idiosyncratically and chronologically told the story of American gastronomy, and the country itself—in menus. It seems menus came into general use n the 1840’s when only the upper class dined outside the home. The exhibit included menus from restaurants, banquets, soup kitchens, private yachts, and even houses of ill repute.“It’s like a 15-degree slice of history,” said menu collector Henry Voigt, who adroitly curated the show. “You’re looking from a different perspective. It’s not just what people were eating, but what they were doing, with whom they were doing it, and what they valued. It’s a mirror of society. Yes, it runs along class lines, but it represents all classes in various ways. They’re minor historic documents that reflect everyday life. The QR codes that one gets in restaurants these days is depressingly dull. The New Yorker did a piece on Henry Voigt, the collector. You can read it here. The Grolier Club is closed in August but I look forward to seeing their upcoming exhibits in the fall.

King of the Jungle August 13, 2023

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 Thursday was World Lion Day and is celebrated annually on August 10 to raise awareness of the sharp decline in lion populations due to threats ranging from habitat loss to illegal hunting. The day was established in 2013 by environmentalists Dereck and Beverly Joubert, founders of the Big Cat Initiative. Today’s photo montage is dedicated to these beautiful cats.

A Wake of Vultures August 6, 2023

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 In flight, a flock of vultures is a kettle and when the birds are feeding together at a carcass, the group is called a wake. We visited NYBG https: on Friday and both enjoyed this very different and fascinating exhibition. The vultures are both inside and outside the Conservatory. Artist Ebony G. Patterson, after a year long residency at the NY Botanical Garden created for the conservatory her exhibition called “…things come to thrive…in the shedding…in the molting…”. Patterson is the first artist-in-residence the NYBG has ever had. The vultures in the installation are a clear gesture towards the idea of death. But at the same time, Patterson explored their role within the broader ecosystem, and how by “consuming the landscape, they’re revealing things within it,” she says. They’re consuming our nature’s wounds, “as an act of care … and in doing so, they reveal other things that are hidden, so bodies become revealed.” The exhibit is on through October 22, 2023. I encourage your visit. NY Times review here

My Native American Name July 30, 2023

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 I was finally feeling a bit better post surgery and (sort of) ran to the Whitney Museum to see this exhibit. It closes August 13th and if you can get there, I highly recommend it. I was not familiar with her work but happy to finally explore and adore it. I also love her name. If I were Native American I would like my name to be ‘Raised by Wolves’. Jaune Quick-to-See Smith (born 1940) is a Native American visual artist and curator. She is an art educator, art advocate, and political activist. She has been prolific in her long career, and her work draws from a Native worldview and comments on American Indian identity, histories of oppression, and environmental issues.This exhibition is the first New York retrospective of Jaune Quick-to-See Smith, citizen of the Confederated Salish and Kootenai Nation), an overdue but timely look at the work of a groundbreaking artist. Jaune Quick-to-See Smith: Memory Map brings together nearly five decades of Smith’s drawings, prints, paintings, and sculptures in the largest and most comprehensive showing of her career to date. Her artistic traditions are incorporated and reimagined with concepts rooted in Smith’s own cultural practice, reflecting her belief that her “life’s work involves examining contemporary life in America and interpreting it through Native ideology.” Employing satire and humor, Smith’s art tells stories that flip commonly held conceptions of historical narratives and illuminate absurdities in the formation of dominant culture. Smith’s approach importantly blurs categories and questions why certain visual languages attain recognition, historical privilege, and value.

Rock Paper Scissors July 23, 2023

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 The Museum of Art and Design presents Generation Paper: A Fashion Phenom of the 1960s which explores the era’s short-lived phenomenon of paper fashion through more than 60 rare garments and accessories crafted from non-woven textiles. These fashions, introduced in 1966 as a promotional campaign for Scott Paper Company, combined bold, graphic design with space-age innovations in materials. Sporting patterns inspired by pop art, op art, anti-war “flower power,” and more, paper fashion’s iconic silhouettes and styles—from A-line mini dresses to bikinis—became daring demonstrations of the durability and design potential of the era’s newly developed paper-like fibers, such as rayon (a cellulose fiber), polyester, and other synthetic blends. For those that are interested here is a brief history of Paper Dresses. This exhibit is on thru August 27.
FYI – This is National Zookeeper Appreciation Week. I normally post photos of the keepers at my home base, the Central Park Zoo but since I am out recovering from back surgery there is no montage this year. Here’s last year’s montage for you. Enjoy!

Show Some Restraint July 16, 2023

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 The Museum of the Dog always has something interesting to see. Identity Restraint & the Art of the Dog Collar did not disappoint (although some of the collars were pretty scary.) Held in conjunction with the National Sporting Library and Museum in Middleburg, VA the exhibition brings together over 60 collars from the NSLM’s collection and 50 artworks belonging to the American Kennel Club and the AKC Museum of the Dog. The combination of the collars and artworks illustrates how they were used and evolved over several centuries. The basic design of the collar has not changed since the time of ancient Mesopotamia but variations on the collar, specifically ornamentation and style, reflect the values of the various world cultures that kept dogs. These subtle, and sometimes not so subtle, alterations to the central design can be quite telling in the role dogs played and how they were regarded in different time periods and cultures. For a brief history of the dog collar click here. This exhibit is on through September 3rd. Oh – by the way…the cutie pictured on top is my little guy, Mr. Pepe, wearing his restraint halter. Who’s a good boy?

Under Cover July 9, 2023

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 One of my favorite spots is the New York Historical Society.A small exhibition examines the work and influence of J.C. Leyendecker (1874–1951), a preeminent illustrator and commercial artist who helped shape American visual culture in the first three decades of the 20th century through captivating advertising campaigns including the legendary “Arrow Collar Man” and countless covers for the Saturday Evening Post. As a gay artist whose illustrations for a mainstream audience often had unspoken homoerotic undertones, his work is especially revealing for what it says about the cultural attitudes towards homosexuality of the period. J.C. Leyendecker’s favorite model was none other than Charles A. Beach—his life partner. This exhibit close August 13.