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What’s Up Your Sleeve? February 11, 2024

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 Sleeves? Not Sure I have ever given sleeves a second thought until I saw this fun exhibit at The Museum at FIT. This space has been showing wonderful exhibits these past couple of years. This latest one is no exception. ‘What is a “statement sleeve”? The fashion media has regularly used the term for less than a decade, yet many of us can conjure images of what it describes: a sleeve style that is exaggerated, embellished, elaborately constructed, or otherwise eye catching to the extent that it defines a garment. Statement sleeves have been spotted on innumerable fashion runways in recent years, with no sign of waning. From puffed to ruffled, split to sheer, there is a style for everyone. The exhibit showcases nearly 80 fashion pieces from The Museum at FIT’s permanent collection – the majority of which are on display for the first time – and features the works of renowned designers such as Balenciaga, Tom Ford, Schiaparelli, and Vivienne Westwood. They are organized thematically or by complementary aesthetics rather than chronology. The exhibition highlights how sleeves serve as a vital mode of self-expression that reflects our gestures and movements, showcases their ability to indicate specific fashion eras and their related trends, and proclaims their role as signifiers of status, taste, and personality’. So what’s up your sleeve?

Unnamed Figures January 14, 2024

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 I saw this wonderful exhibit several months ago and thought that this being Martin Luther King weekend it was a timely post to share. ‘A vital American Folk Art Museum show reckons with centuries of erasure by uncovering historical records of the unnamed Black people depicted in artwork. Assembling paintings, drawings, photographs, embroideries, sculptures, ceramics and a wealth of archival material from the 17th through the 19th centuries, the exhibition surrounds representations of Black individuals with essential, eye-opening context. The NY Times reviewed this exhibit a few weeks ago and their words are much better than mine. The American Folk Art Museum is free and they always have wonderful, thought provoking exhibits. This exhibit is on view thru March.

Fly Me to the Moon January 7, 2024

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 Went to DC last month to visit good friends. While there we visited the newly opened and renovated Air and Space Museum. It was very impressive. It is difficult to believe that the Wright Bothers invented the first airplane a little over 120 years ago and how much has been accomplished since then. The future seems boundless. There’s lots to see in this massive space (which is now only half open) but we spent most of our time viewing the first moon landing and examining their gear, their supplies, their food and medications. Timed tickets are required but it is free. Highly recommend.

All Aboard! December 10, 2023

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 The New York Botanical Garden is back with their sensational train show. This year there is a new fun feature outside the Conservatory. This was the first time I attended with a zany family that included three kids. It made the visit even more special. Get aboard – the trains can be seen through January 15, 2024.

Shazam! November 19, 2023

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During these troubled times it is important to know about history. The Center for Jewish History has a fascinating, illuminating and fun exhibit about super heroes, their creators and why they were created. In the 1930s and 1940s Jewish immigrants in New York were kept out of most respectable industries (anti-semitism was rife), so publishers, writers and artists created an industry of their own – comics. They also created its proprietary genre, superheroes, which they infused with various levels of Jewish signification. The preeminent creators in comic book history were all Jewish men — Jerry Siegel and Joe Schuster (Superman), Bob Kane and Bill Finger (Batman), Wil Eisner (the Spirit) Joe Kubert (Sgt. Rock), Jack Kirby and Joe Simon (Captain America) Stan Lee and Jack Kirby (the Hulk, Fantastic Four, Avengers, X-Men and many more.) This is a wonderful exhibit for all ages. There is even a dress up photo op where you can don costumes, masks, capes and take your own super hero photos (and yes, I did partake). The exhibit runs through December 31st.

Can Do! November 12, 2023

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 Canstruction returns to Brookfield Place. I admit to admiring this competition each year when I see it featured on TV but I never ventured downtown to check it out in person. No excuse for this laziness and I will now have it on my ‘must see’ annual things. This yearly design competition challenges teams of architects, engineers, and contractors to build sculptures made entirely out of unopened cans of food. The large-scale sculptures are placed on display and later donated to City Harvest to help provide families with a holiday mealCanstruction® New York has donated over 2 million pounds of food to local food banks since 1993, and over 1.2 million pounds to City Harvest since 2006. Since 1992, Canstruction® has raised nearly 82 million pounds of food for hunger relief organizations around the world with its signature, trademarked CanArt. It closes tomorrow, November 13, so there’s still time to go on down. Bring some canned food to donate while you are there.

Fashionable Fidos September 10, 2023

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 I try not to anticipate an exhibit before I go but truth be told…this latest exhibit at the AKC Museum of the Dog was not what I expected. I thought Fashionable Dogs was going to be doggies in outfits – but that was not what it turned out to be. Still enjoyable, but I spruce up this week’s photo montage with some fashionable doggies that have lived at my house. No, my gang were never breeds but they were ‘best in show’ to me. This exhibit highlighted specific breeds that have gone in and out of fashion as the ultimate accessory from nobility to the runway. Through paintings, fashion photography, and accessories this exhibition chronicles the rise and fall of dogs in fashion. Fashionable Dogs tracks the arc of popularity of several breeds through recent history, diving deep into such breeds as the Borzoi, Greyhound, Poodle, Pekingese, Japanese Chin, French Bulldog, and Great Dane. Woof!

Let There Be Light August 27, 2023

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The New York Historical Society is one of my top five places to visit. The permanent exhibit of Tiffany lamps is something to behold. I hadn’t visited this exhibit in quite awhile and thought it was time to go back. ‘As the centerpiece of the 4th floor, the Gallery of Tiffany Lamps features 100 illuminated Tiffany lamps from our spectacular collection, displayed within a dramatically lit jewel-like space. It is regarded as one of the world’s largest and most encyclopedic collections. The hidden history behind the lamps offers a fascinating look at the contributions of women in the creation of this art. Louis C. Tiffany (1848–1933) was the artistic genius behind Tiffany Studios. However, he was not the exclusive designer of its lamps, windows, and luxury objects: Clara Driscoll (1861–1944), head of the Women’s Glass Cutting Department from 1892 to 1909, has recently been revealed as the designer of many of the firm’s leaded glass shades. Driscoll and her staff, self-styled the “Tiffany Girls,” labored in anonymity but were well compensated. Driscoll’s weekly salary of $35 was on par  with that of Tiffany’s male designers, a reflection of his regard for her abilities. The lamps in this exhibition reflect the prodigious talent of designers and artisans who worked in anonymity to fulfill Tiffany’s aesthetic vision’.

A Wake of Vultures August 6, 2023

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 In flight, a flock of vultures is a kettle and when the birds are feeding together at a carcass, the group is called a wake. We visited NYBG https: on Friday and both enjoyed this very different and fascinating exhibition. The vultures are both inside and outside the Conservatory. Artist Ebony G. Patterson, after a year long residency at the NY Botanical Garden created for the conservatory her exhibition called “…things come to thrive…in the shedding…in the molting…”. Patterson is the first artist-in-residence the NYBG has ever had. The vultures in the installation are a clear gesture towards the idea of death. But at the same time, Patterson explored their role within the broader ecosystem, and how by “consuming the landscape, they’re revealing things within it,” she says. They’re consuming our nature’s wounds, “as an act of care … and in doing so, they reveal other things that are hidden, so bodies become revealed.” The exhibit is on through October 22, 2023. I encourage your visit. NY Times review here

My Native American Name July 30, 2023

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 I was finally feeling a bit better post surgery and (sort of) ran to the Whitney Museum to see this exhibit. It closes August 13th and if you can get there, I highly recommend it. I was not familiar with her work but happy to finally explore and adore it. I also love her name. If I were Native American I would like my name to be ‘Raised by Wolves’. Jaune Quick-to-See Smith (born 1940) is a Native American visual artist and curator. She is an art educator, art advocate, and political activist. She has been prolific in her long career, and her work draws from a Native worldview and comments on American Indian identity, histories of oppression, and environmental issues.This exhibition is the first New York retrospective of Jaune Quick-to-See Smith, citizen of the Confederated Salish and Kootenai Nation), an overdue but timely look at the work of a groundbreaking artist. Jaune Quick-to-See Smith: Memory Map brings together nearly five decades of Smith’s drawings, prints, paintings, and sculptures in the largest and most comprehensive showing of her career to date. Her artistic traditions are incorporated and reimagined with concepts rooted in Smith’s own cultural practice, reflecting her belief that her “life’s work involves examining contemporary life in America and interpreting it through Native ideology.” Employing satire and humor, Smith’s art tells stories that flip commonly held conceptions of historical narratives and illuminate absurdities in the formation of dominant culture. Smith’s approach importantly blurs categories and questions why certain visual languages attain recognition, historical privilege, and value.