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The Gates – Part Two March 2, 2025

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We decided to visit the two venues that are celebrating the 20th anniversary of Jeanne-Claude and Christo’s The Gates in Central Park. The Shed (in Hudson Yards) features photos, videos and scale models of The Gates. Some of the videos of old town hall meetings are hysterical. People both pro and con were very funny. This exhibit is on through March 23. The other venue is in Central Park itself. By downloading the free Bloomberg Connects app you are able to experience The Gates yourself. We started at Fifth Avenue and 72nd street. The path runs through the park, Bethesda Fountain, around the lake and up to Cherry Hill. It was lots of fun and if you did not experience The Gates 20 years ago, I encourage you to experience them now. The top half of today’s photo montage features photos from The Shed and the bottom half are photos of our walk as we virtually experienced The Gates.

Making Waves February 23, 2025

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I take a lot of photos. I take photos as I wander the streets, museums and galleries of NYC. What do I do with all of my photos? I create blue photo folders that remain on my desktop until I decide to create a photo montage and share it with all of you. The longest running folder that hung around my on my desktop was,12 years. You can check that out here –  I noticed a folder this week on my cluttered desktop titled, ‘Making Waves‘ and opened it. Apparently I had collected quite a few photos of paintings and prints I had seen in art venues as I traversed NYC. I was inspired to create today’s photo montage and I get to remove that photo folder from my desktop. Check out these fabulous works of art. Be inspired and go out there and make some waves.

You Can’t Keep a Good Dog Down February 16, 2025

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 We attended the Westminster Dog Show once again. We like the Benching area the best. You can schmooze with the handlers, the owners, the judges and of course the adorable pooches. I did not get a photo of Monty the Giant Schnauzer who won Best in Show but all of the contenders were winners to me. I especially am fond of the dog at the bottom of today’s photo montage. That’s my boy, Mr Pepe, who is always a good boy and Best in Show to me. Woof!

The Gates Project – 20 Years Later February 9, 2025

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Twenty years ago, I was lucky to work at The Gates Project when Jeanne-Claude and Christo created their fabulous site-specific work of art in 2005. The artists installed 7,503 vinyl “gates” along 23 miles of pathways in Central Park. From each gate hung a panel of deep saffron-colored nylon fabric. The exhibit ran from February 12, 2005 through February 27, 2005.  Even though the exhibit officially ran for two weeks the installation and deinstallation of the project stretched out this work for almost two months. I believe this community work of art, was the beginning of the recovery for our wounded City from the devastation of 9/11 (thanks to Mayor Bloomberg for his decision to go ahead with this project). As a Gate Watcher, I held a long pole with a tennis ball on the end of it so that I could unfurl the saffron curtains if the wind wrapped them around their stanchions. I had the good fortune of speaking to thousands of visitors from all around the world about the project, about New York City, about life, art and politics for two weeks. It was an experience I will never forget. Many of you who are reading this blog came to visit me at my Gates post to share the experience. Every morning that we worked we would meet Jeanne-Claude and Christo at the Boat House for free breakfast where they would talk to us, both individually and as a group.They also were generous enough to take the time to sign our souvenir posters, books or whatever – every Friday afternoon – with their signature orange crayons. I have my signed prints proudly hanging in my living room. May they rest in peace and may their memory be a blessing, dear Jeanne -Claude and Christo. I created all of the photo montages seen here 20 years ago as a way to remember that singular experience.

Groundhog Day February 2, 2025

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Yes, it is Groundhog Day (again). If Puxatawny Phil or Staten Island Chuck see their shadows we will have six more weeks of winter. I share some of my classic zoo shadow photos today where all of these amazing animals (including one of my own house cats) see their shadows.

Year of the Snake January 26, 2025

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2025 is the Year of the Snake based on the Chinese Zodiac. The snake symbolizes wisdom, intuition, and transformation (since the snake sheds its skin), while offering opportunities for personal growth and change. If you were born in 1941,1953, 1965, 1977, 1989, 2001, 2013 it just night be a transformative year for you. Hisssssss!
Here are some other signs I have shared over the years. MonkeyRabbitTigerOx –  Pig –  Dog –  Rooster-Dragon . Happy Chinese New Year to one and all (and if you have already broken your New Year’s resolutions from a month ago – you can start all over again next Saturday).

Edges of Ailey January 19, 2025

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We had wanted to see this exhibition since it opened back in September but life sometimes interferes with art. We finally went last Sunday and we were wowed. Edges of Ailey is the first large-scale museum exhibition to celebrate the life, dances, influences, and enduring legacy of visionary artist and choreographer Alvin Ailey. It consists of an immersive exhibition in the Museum’s 18,000 square-foot fifth-floor galleries—featuring works by more than eighty artists and revelatory archival material—and  performances in the Museum’s third-floor theater, including AILEY in residence for one week each month during the exhibition. Included are performance footage, recorded interviews, notebooks, letters, poems, short stories, choreographic notes, drawings, and performance programs and posters gathered from Ailey’s archives and others forge a vital through-line in the gallery. The artworks are arranged by themes that shaped Ailey’s life and dances. Sections span an expanded Black southern imaginary that enfolds histories of the American South with those of the Caribbean, Brazil, and West Africa; the enduring practices of Black spirituality; the profound conditions and effects of Black migration; the resilience for and necessity of an intersectional Black liberation; the prominence of Black women in Ailey’s life; and the robust histories and experiments of Black music; along with the myriad representations of Blackness in dance and meditations on dance after Ailey. Artists exhibited among Ailey include Basquiat, Romare Bearden (a personal favorite of mine,) Faith Ringgold, Alma Thomas, Jacob Lawrence, Rashid Johnson, Kevin Beasley, Kara Walker and many more. This wonderful exhibit is on through February 9th.

World Waterfowl Day January 17, 2025

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 Today (January 17th) is the first World Waterfowl Day. The goal is to spread awareness, knowledge, and interest for waterfowl, as well as the conservation of these birds and their habitats.This group of birds is comprised of more than 170 species of ducks, geese, and swans found throughout the world’s wetlands. Sadly, one-third of all wild waterfowl are considered threatened or endangered. Habitat loss and human population growth are the primary causes of waterfowl declines. Water pollution from agricultural runoff, waste, and other contaminants destroy the food sources for waterfowl. As wetlands are destroyed, so are essential spots for breeding, nesting, and feeding. World Waterfowl Day presents an opportunity for all to work towards the protection, conservation and reproduction of all waterfowl species to stop them from being in danger of extinction. Waterfowl are incredibly adaptable and can be found on every continent except Antarctica. In fact, they thrive in almost any environment that is near water. Protecting waterfowl is crucial. The loss of one species from our ecosystem can have an effect on other species. By protecting waterfowl, we are not only safeguarding the natural world but also the habitats that many other living things rely on – including humans! Enjoy just a small photo sampling of some of these beautiful species.

Postcards from the Edge January 12, 2025

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Remember writing postcards especially when you traveled? I used to send myself postcards at the end of a trip to see how long it took to get to my home. Once again the Museum of the City of NY has brought us an exhibit that makes one smile. During the 1920s and ’30s, the bold new look of Art Deco heralded New York’s arrival as a cosmopolitan metropolis: a center of architecture, design, fashion, and culture.The picture postcard, a form of modern communication, transmitted vibrant images and messages around the globe. Art Deco City: New York Postcards from the Leonard A. Lauder Collection illuminates the key role postcards played in transforming New York into an international capital during the years between World Wars. Featuring over 250 postcards as well as decorative arts, fashion, photography, drawings, and architectural models, Art Deco City immerses you into the dazzling style that defined the modern city. That said – I most certainly was underdressed. More than an aesthetic, Art Deco was the look that sold the city to the world. This exhibit is on through February 17, 2025. While visiting the museum please do not forget to experience the heart pulsing, fun, fast paced, colorful, You Are Here” exhibit (which is right next to the postcards) and draws on the rich archive of movies set in New York, combining thousands of cinematic moments across 16 screens. That delightful movie experience is on through October of 2025. I have seen it multiple times and have enjoyed it over and over again. FYI – The MCNY is open every day.

Cut it Out! January 5, 2025

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I confess that Henri Matisse (1869-1954) is my favorite artist. No one comes close to his talent in my eyes. How could we resist not taking in the latest MoMA exhibit of his inspiring cut-outs. These paper artistic treasures are light sensitive so MoMA only displays them every few years. This beautiful exhibit closes January 20, 2025. I encourage you to visit. In the late 1940s (after abdominal surgery left him in a wheelchair), Matisse turned almost exclusively to cut paper as his primary medium, and scissors as his chief implement, introducing a radically new operation that came to be called a cut-out. Matisse would cut painted sheets into forms of varying shapes and sizes—from the vegetal to the abstract—which he then arranged into lively compositions, striking for their play with color and contrast, their exploitation of decorative strategies, and their economy of means. Initially, these compositions were of modest size but, over time, their scale grew along with Matisse’s ambitions for them, expanding into mural or room-size works. A brilliant final chapter in Matisse’s long career, the cut-outs reflect both a renewed commitment to form and color and an inventiveness directed to the status of the work of art, whether as a unique object, environment, ornament, or a hybrid of all of these. FYI – MoMA has finally given its members their own entrance on West 54th Street. If you are a MoMA member I encourage your using this entrance to avoid the maddening crowds.